A COPLAC Digital Distance Learning Course

Tag: Reading Reflection

Week 13: Reading Reflection

via GIPHY

We are at the end of this project/course and I am really excited about all the work we have done. The sites look amazing and this class has made me think critically about how censorship works currently and throughout history.

I returned to the text, The Reader Speaks Out: Adolescent Reflections about Controversial Young Adult Literature by Grace Enriquez and thought about how the ideas in this essay intertwined with the case that Karina and I investigated. In the article, Enriquez talks about how there is a lack of young adult voices in the arguments about these texts that are highly debated. She explains how there is a ton of educator and parental arguments, but no one really asks what the students or young adults think about the text. She went to students and asked them about what their definitions of controversy were. What makes a book controversial and what makes a book worth reading? She found that they think a book is worth reading if the plot seems interesting despite the use of profanity, violence, sexual content, and/or discriminatory remarks. She found that students “appreciated the importance of context.” It made a big difference if they had to read the book.

In our case, we were lucky to get in touch with a student who did speak up against the removal of the novels To Kill a Mockingbird and The Adventures of Huckleberry Finn from Accomack County, VA schools. I think her perspective about the books and whether or not they should be removed really added so much context about what happened in late 2016. She created a petition and joined the protest that was created by Charles Knitter. Because of her voice and the voices of other students through the petition they were able to give their thoughts to the committee that the school board created to decide if the books should be officially removed or not. Even though this started out as an argument made by a parent, the students were the ones that the committee listened to. I think that is a huge step for students voices to be heard when censorship of reading materials pops up in different places.

Students voices need to be included in the discussion about removal of texts from classrooms and libraries. A lot of students like to talk about the controversy in the novel and by doing so in a safe academic environment I think that students can learn a lot about the reasons why something, such as derogatory language, in a controversial scene is used. I think communication and discussion can always help students push past just what are the themes in this text, but also how it can relate to students lives and the community of the school or library.

Enriquez, Grace. “The Reader Speaks Out:
Adolescent Reflections about Controversial Young Adult Literature.” The ALAN Review. Winter, 2006. pp 16-23. Print.

Week Five: Reading Reflection

For the past couple weeks, I have been stuck on the readings talking about the voices that are not heard in literature. There are biases in novels that I love and in so much literature these days. Young adults cannot identify even as they are searching for similar experiences because they are just not there.

The Dearth of Narrative Voices in Young Adult Literature: A Call for More Young Adult Literature Written by and for Indigenous People, lays out how there are not enough books written for indigenous people by indigenous people, which on one hand seems crazy to me but then when I look at the publishing industry I understand why. Publishers want a certain frame for these kinds of stories and won’t publish the authentic ones.  The other problem is that if they do tell these stories, it is not by an indigenous person hardly ever. “The danger, according to Bruchac, in not portraying students’ culture accurately is that they may feel that their world and, by extension, their own lives are of no real importance,” (Metzger and Kelleher, 38). The thought of this makes me incredibly sad. I think back to the books I read as a child and I find that I was really drawn to stories where I could see myself. The ones that are my absolute favorite are the ones where I found part of my story accurately, authentically, represented. It is still different for me though because I am white woman who identifies as American. I do not have any other culture that my family identifies with and participates in completely (My father’s side is Polish, but his family did not seem to be oppressed. In fact, the town I grew up in was mainly Polish when it was founded.) Due to this fact, I found lots more reading materials than any group that has been oppressed. Even if someone is struggling with their identity, I want there to be stories for them. And when people are struggling with identity and who they are as a young person, they turn to stories and books. I know I did at least.

I think I can see how this plays out in the novel Karina and I have chosen to explore, To Kill a Mockingbird. One of the main arguments that I have seen when looking at the loads of articles about challenges on To Kill a Mockingbird, is that when young adults read this book and The Adventures of Huckleberry Finn, they think it is okay to use the n-word. That was the main point of the complaint we found in our case in Accomack County. The parent said her biracial son was uncomfortable with the language and it was upsetting. He cannot see himself in the novel, actually feels like there is not place he can identify with in the pages of the book. A white woman wrote it and though it does push past racism, it still

Picture of Harper Lee from 2007
Haper Lee in 2007

has that bias. I do not think this novel would have been published if a person of color had written this story. It first, most likely would be a different perspective, and I don’t believe publishers would have been open to putting it out there in the world. It is so crazy how we think about a novel, that so many people have read, would not have been published just because some different had written it. Harper Lee’s novel has made an impact on many lives, mine included, but maybe we should reconsider what we publish to make room for a more diverse audience.

Metzger, Kenneth and Wendy Kelleher. The Dearth of Narrative Voices in Young Adult Literature: A Call for More Young Adult Literature Written by and for Indigenous People. ALAN Review. 2008. pp. 36-42.

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