A COPLAC Digital Distance Learning Course

Tag: young adult literature

Week 11: Another Post Interview and Update

This past week was a busy one with finishing up collecting information for our project and the first draft of the site. Almost all the information up is at this point and we are working on copy editing the site.

I had the chance to talk with Dr. Gary Richards this past week to talk about the book, To Kill a Mockingbird. He was recommend to me by Pete Kelly and is the head of the English, Linguistics and Communication Department here at Mary Washington. He also teaches Southern Literature and Modern American Literature courses. He graciously sat down with me to record  an interview and answered a lot of my questions about the book and how language functions in the novel.

The whole interview was really fascinating and Dr. Richards pointed out a lot of things that I hadn’t considered before. He didn’t  know too much about the challenges to the book, but he did talk about the reasons why it is probably so frequently challenged. I asked about his experience and he had read it when he was in middle school and then again in high school. He studied Southern literature at Vanderbilt and said that at the graduate level there was some debate about whether or not the book should be even considered because it is looked at as young adult literature. He eventually included analysis of the book in his thesis and agrees that because the book has been so widely read that it is productive to talk about it. Now he teaches it in his many of his classes and talks about how it is structured and how some of the themes are so heavy handed.

We talked about the n-word and if it was necessary for this book, and if it should continue to be taught in middle and high schools or if it was too problematic. He spoke of how the language was probably used by Harper Lee to draw attention to the racism of the time and that she probably did think it was necessary. In his classes he has students try to decide if the word is allowable and some think that because it packs such a punch that it is important to talk about. It shows just how much derogatory language can hurt. Dr. Richards also talked about how he likes to teach problematic texts because he thinks it is important to talk about why they are problematic or why they make people uncomfortable. He does think that teachers need to carefully handle the novel, but if it gets students to read and talk about the book then it is worthwhile to teach.

I set up a page and wrote a write up about the interview with him, kind of summarizing what we talked about. The interview ended up being almost eighteen minutes long and the transcription five pages long. I made a video with the recording of the interview and included it on the page and below, so if anyone wants to listen to the whole thing they can. I am also going to include a PDF link to the transcription for anyone who is interested.

I think this interview added a lot of in depth information about the book and how it impacts society. There is a lot to unpack in it and I am really glad we were able to connect with Dr. Richards and create this interview.

 

Week Five: Reading Reflection

For the past couple weeks, I have been stuck on the readings talking about the voices that are not heard in literature. There are biases in novels that I love and in so much literature these days. Young adults cannot identify even as they are searching for similar experiences because they are just not there.

The Dearth of Narrative Voices in Young Adult Literature: A Call for More Young Adult Literature Written by and for Indigenous People, lays out how there are not enough books written for indigenous people by indigenous people, which on one hand seems crazy to me but then when I look at the publishing industry I understand why. Publishers want a certain frame for these kinds of stories and won’t publish the authentic ones.  The other problem is that if they do tell these stories, it is not by an indigenous person hardly ever. “The danger, according to Bruchac, in not portraying students’ culture accurately is that they may feel that their world and, by extension, their own lives are of no real importance,” (Metzger and Kelleher, 38). The thought of this makes me incredibly sad. I think back to the books I read as a child and I find that I was really drawn to stories where I could see myself. The ones that are my absolute favorite are the ones where I found part of my story accurately, authentically, represented. It is still different for me though because I am white woman who identifies as American. I do not have any other culture that my family identifies with and participates in completely (My father’s side is Polish, but his family did not seem to be oppressed. In fact, the town I grew up in was mainly Polish when it was founded.) Due to this fact, I found lots more reading materials than any group that has been oppressed. Even if someone is struggling with their identity, I want there to be stories for them. And when people are struggling with identity and who they are as a young person, they turn to stories and books. I know I did at least.

I think I can see how this plays out in the novel Karina and I have chosen to explore, To Kill a Mockingbird. One of the main arguments that I have seen when looking at the loads of articles about challenges on To Kill a Mockingbird, is that when young adults read this book and The Adventures of Huckleberry Finn, they think it is okay to use the n-word. That was the main point of the complaint we found in our case in Accomack County. The parent said her biracial son was uncomfortable with the language and it was upsetting. He cannot see himself in the novel, actually feels like there is not place he can identify with in the pages of the book. A white woman wrote it and though it does push past racism, it still

Picture of Harper Lee from 2007
Haper Lee in 2007

has that bias. I do not think this novel would have been published if a person of color had written this story. It first, most likely would be a different perspective, and I don’t believe publishers would have been open to putting it out there in the world. It is so crazy how we think about a novel, that so many people have read, would not have been published just because some different had written it. Harper Lee’s novel has made an impact on many lives, mine included, but maybe we should reconsider what we publish to make room for a more diverse audience.

Metzger, Kenneth and Wendy Kelleher. The Dearth of Narrative Voices in Young Adult Literature: A Call for More Young Adult Literature Written by and for Indigenous People. ALAN Review. 2008. pp. 36-42.

© 2026 Spring 2018 Course

Theme by Anders Noren — Up ↑